Private Midnight: A Novel, by Kris Saknussemm
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Private Midnight: A Novel, by Kris Saknussemm
Best PDF Ebook Private Midnight: A Novel, by Kris Saknussemm
The extraordinary meditation on Europe by the “brilliantly illuminating” (Alain de Botton) public intellectual
By the author of Zanesville, a seductive story of grit, gunplay, vampirism, and a bit of bondage. Detective Birch Ritter is a man on the edge-of himself. His past is filled with secrets, shadows, guilt, and ghosts. Then a dubious police buddy he hasn't seen in a year introduces him to a mysterious woman who says her business is shadows. What she knows about what lies between the darkness and the light inside men is more than Ritter may want to find out, and much more than he can resist learning. It's said that to try to forget is to try to conceal, and concealing evidence is a crime. But maybe revelation is another kind of crime-against nature. Kris Saknussemm, the widely acclaimed author of the sci-fi smash Zanesville,, now delves into another genre, and another world-a world where even the sunlight is shadowy and where deviancy is the norm. Private Midnight is a journey into the seedy, sexy, underbelly of life-crime noir for a new generation. Private Midnight: A Novel, by Kris Saknussemm- Amazon Sales Rank: #3856367 in Books
- Brand: Saknussemm, Kris
- Published on: 2015-03-03
- Released on: 2015-03-03
- Original language: English
- Number of items: 1
- Dimensions: 7.94" h x .84" w x 5.33" l, 1.00 pounds
- Binding: Paperback
- 336 pages
From Publishers Weekly Starred Review. James Ellroy meets David Lynch in this addictive mix of noir and supernatural horror from Saknussemm (Zanesville). Det. Birch Ritter investigates the suspected suicide of California real estate magnate Deems Whitney, who apparently doused his Mercedes with gasoline and died in the resultant explosion a day after changing his will to benefit his trophy wife and disinherit his grown children. Before the cop can interview Whitney's widow, Ritter receives a cryptic message from his ex-partner that steers him to the enigmatic Genevieve Wyvern. Wyvern, who disconcerts Ritter with how well she knows his past, plunges him into a surreal world of bondage, domination and mind games. Despite being humiliated by Wyvern, Ritter finds himself unable to stay away from her lair. An unexpected and bizarre twist well into the novel jolts the fairly standard plot off the rails, but the powerful narrative voice will compel most readers to follow. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal Life is piling up for Det. Birch Ritter. He's a big man loaded down with ugly cases; guilty secrets; a violent, ethically dubious approach to police work; fresh divorce papers; and a personal demon he calls El Miedo. A crooked colleague sends Ritter to Genevieve, a woman who is equal parts psychiatrist, seer, and dominatrix. So begins Ritter's dark spiral downward, a series of strange changes that cannot be explained by the laws of the world as he knows it. Saknussemm (Zanesville) creates an original blend of noir procedural, horror, and dark eroticism but sometimes loses control of his own linguistic dexterity. The result is intriguing but also muddled and awkwardly paced. A great rush of late developments suggests that either a sequel is forthcoming or that the book's most captivating questions will remain partly unanswered. What is the extent of Genevieve's power? What is the truth about Ritter's past? What will become of him? Saknussemm is a writer to watch, but this book is recommended only for large libraries where complex genre-bending works have found readership.—Neil Hollands, Williamsburg Regional Lib., VA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist Zanesville (2005) was praised as a brilliant sf satire depicting a post-apocalyptic American landscape. For his second novel, Saknussemm daringly switches gears for a complex work of noir detective fiction with supernatural overtones. Birch Ritter is a jaded precinct detective with too many ex-wives and dark secrets under his belt. While Ritter investigates a pair of bizarrely staged suicides, an old friend introduces him to an exotic woman, Genevieve, who seems to see right through Ritter’s hardened exterior to the troubled psyche lurking beneath. His sessions with Genevieve begin intriguingly enough, with a little harmless bondage, then transform into probing psychological games involving ancient mythology and alchemy. Suddenly, Ritter begins uncovering surprising wrinkles in his police cases as well as disturbing changes in his physiology that may reveal more about himself than he wants to know. Saknussemm’s jarring plot twists near the tale’s climax may mystify some, but there’s no doubting his ability to captivate readers with eerie atmospheric description and masterful storytelling. --Carl Hays
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Most helpful customer reviews
8 of 8 people found the following review helpful. We Are All Monsters By Lyric Powers Told in the voice of the crime noir classics, with intense erotica and unsettling psychological horror in abundance, Detective Birch Ritter's story is one I can guarantee you've never heard. Over the course of his unhappy and unfaithful life, he has seen much of the surface darkness of humanity--the crimes we commit against each other, the lies we sell--but with the introduction to what he at first assumes to be a high class hooker, he is exposed to an inner darkness that even he could never have imagined. A darkness that both seduces and repels, and in the end--reveals and transforms.There is so much to see in this book, so much to hear and feel, and so much to learn. It is an assault on the senses, a stinging whip and a tickling feather, and a lesson in division that vividly illustrates the tenuous nature of borders. Good or evil, torment or salvation, pleasure or pain, fear or hope, submission or dominance...male or female--where do the distinctions lie?Others may say Private Midnight is not for the squeamish, but I say it is exactly what the squeamish need--to shake 'em up and wake 'em up.
3 of 3 people found the following review helpful. David Lynch Movie Waiting to be Made By J. Bube This is a startling and disturbing psychological thriller with heady doses of both the erotic and the surreal. Saknussemms' first person is totally believable and compelling. The atmosphere is intense and so fully realized that you feel you have stepped into this strange dream and can't get out. Even as the mysteries unfold, a deeper darkness sets in. Crime readers will enjoy this as a genre work, but the real mysteries are of the psyche. This is a book of revelation.
1 of 1 people found the following review helpful. Kris Sakmussemm's Private Midnight A Provocative Read By Lilly Kris Saknussemm made a splash with his first novel, Zanesville, and Private Midnight, his second novel, solidifies his reputation as an edgy, creative and blackly comic writer. Private Midnight's themes and styles morph from noir to supernatural thriller to philosophical treatise on gender politics, and while not each incarnation is equally successful, the writing is at all times a joy. This man loves language. He loves words. I couldn't stop myself from reading some lines out loud, and that alone puts this book on my recommended list.The story opens in fine noir style, with world weary battered police detective Birch Ritter trying to connect the dots on a couple of murders no one else sees as murders, while struggling with the temptation to visit an address his former, now estranged, partner gave him without explanation. Ritter suspects the address will lead him to a woman of pleasure, but he has no idea what shadow lands she occupies. Naturally, he can't help but find out.Ritter is a man with secrets himself. The first part of the novel deals with self-sabotage, and the line between light and shadows, particularly our own shadows we'd rather not illuminate. The mysterious Genevieve says her business is shadows and from his first visit to her, Ritter is on a journey to his past, reclaiming bits of himself he's buried over the years. At the same time, he appears to be losing other parts of himself, and this blurring of boundaries between apparently oppositional definitions of identity is a continuing thread of the novel and its most successful theme.The language in this part of the book is delicious. Waking up after a stormy night, the detective says, "The storm had cleared the air but not my mind or the inside of my apartment." Ritter's voice is so lushly noir it's almost a parody of itself and it is often funny, no matter how dark or twisted the subject. And the subject matter is dark and twisted, dipping into unconventional sexual practices that both fascinate with their ability to redefine and repel with their violence. It's a tribute to the author's power with words I was often laughing even when I was horrified by what I was reading, which, as a cat lover, I often was. Make of that what you will and be warned.The criminal case is far from the focus of the story. It really is just a frame on which to hang an exploration of gender politics. The more Ritter peers into the darkness, trying to figure out who or what Genevieve is, the less sure he is of his own identity. The more he tries to decide whether she's a force for good or evil, the less sure he is he can tell the difference. As the story progresses, the language changes from darkly noir to more supernatural thriller, though the ghosts are more memories than spirits. Genevieve, though, is hard to define, which is very much the point.The final chapters lean toward a discussion of the gender issues raised throughout the story. The narrative is gripping enough that I enjoyed the debate, though I didn't necessarily agree with all of it. I never had as much difficulty deciding if something felt wrong or evil as the author hopes, and I found one scene to have disturbingly racist overtones . But I think the point of Saknussemm's argument is to engage with it, rather than swallow it whole. Agree with him or not, there's still provocative gems to be mined, such as Ritter's contention that most marriages fail because they're not conspiratorial enough.Private Midnight succeeds because even if we draw lines at different places than the author, the engagement in the discussion is a useful challenge to our reliance on "natural" constructions of identity, especially sexual identity. Saknussemm's way with words entices us to peer through a warped looking glass to see ourselves with ambiguously blurred outlines. It's worth the look.
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