We Gotta Get Out of This Place: The Soundtrack of the Vietnam War (Culture, Politics, and the Cold War), by Doug Bradley, Craig Werner
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We Gotta Get Out of This Place: The Soundtrack of the Vietnam War (Culture, Politics, and the Cold War), by Doug Bradley, Craig Werner
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For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's "These Boots Are Made for Walkin'." For a "tunnel rat" who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's "Purple Haze." For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin's "Chain of Fools." And for countless other Vietnam vets, it was "I Feel Like I'm Fixin' to Die," "Who'll Stop the Rain," or the song that gives this book its title.In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans―black and white, Latino and Native American, men and women, officers and "grunts"―whose personal reflections drive the book's narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also "solo" pieces by veterans whose writings have shaped our understanding of the war―Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers―as well as songwriters and performers whose music influenced soldiers' lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories―individual and cultural―that capture a central if often overlooked component of the American war in Vietnam.
We Gotta Get Out of This Place: The Soundtrack of the Vietnam War (Culture, Politics, and the Cold War), by Doug Bradley, Craig Werner- Amazon Sales Rank: #78769 in Books
- Published on: 2015-10-21
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .62" w x 5.98" l, .0 pounds
- Binding: Paperback
- 272 pages
Review "If you want to understand what it felt like, outside of combat itself, to live through and be part of the Vietnam War, read this book. Then, go listen to the music. I did both and I urge you to do the same."―Karl Marlantes, author of Matterhorn and What It's Like to Go to War"Thoroughly researched, powerfully written and insightful . . . Perhaps most fascinatingly of all, We Gotta Get Out of This Place demonstrates how the music that found its way into the lives of the men and women who fought the war changed as the war dragged on, reflecting the dramatic changes 'back in the world.' . . . In the concluding 'Solo' of the book, Vietnam vet Jay Maloney begins, 'There is no such thing as one Vietnam. There were more than two and a half million of them.' No single book could capture that many Vietnams, or the multitude of voices needed to describe them, any more than you could squeeze that many singers onto a single 45 RPM record or write a song to evoke all of their experiences. But the remarkable achievement of Bradley and Werner's We Gotta Get Out of This Place is how close they've come to making that many voices of Vietnam veterans heard."―Paste"Doug Bradley and Craig Werner's account of music's connection to the Vietnam War is intimate and deeply informative, with a scope that encompasses both the war itself and the way that music has helped raise awareness of veterans' issues long after its end. We Gotta Get Out of This Place gives the reader a good sense of how the popularity of different songs and styles waxed and waned over the years, as the mood of the war changed. It also gives plenty of space for extended first-person narratives (dubbed 'Solos') offering a diverse array of viewpoints, including many from veterans who found themselves in anti-war camps, those who felt more conflicted about the anti-war movement, and musicians like Country Joe McDonald and James Brown. Nuanced and frequently moving. #1 Music Book for 2015"―Rolling Stone"Of the many ways to relate the story of the Vietnam war, few are more vibrant and accessible than the way Doug Bradley and Craig Werner tell it. I devoured this book."―David Maraniss, author of They Marched into Sunlight: War and Peace, Vietnam and America, October 1967"We all love popular music and we all love soldiers. All we have left is memories. Maybe there is something to learn from this book, from their experiences, from the music. God, I hope so."―Country Joe McDonald"We Gotta Get Out of This Place is chock full of materials that present multi-voiced memories of how popular music related to the experiences of American GIs in and after the Vietnam War. The book will appeal to veterans, and in many ways is written by, for, and to them. But students and fans of popular music history, the history of the 1960s, and the history of war will also find it an engaging and worthwhile read."―Michael J. Kramer, author of The Republic of Rock: Music and Citizenship in the Sixties Counterculture"By letting the veterans and the music do the talking, Werner and Bradley take readers on a journey through the tension, sorrow, fear, and hope that defined American men and women's service in Vietnam. The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined."―Heather Marie Stur, author of Beyond Combat: Women and Gender in the Vietnam War Era"When you realize the average age of a combat soldier in Vietnam was 19, you can better appreciate how music would be indelibly written into the experiences of that powerfully formative time. This amazing book does justice to conveying the power and emotional impact of music throughout that era."―Bobby Muller, 2nd Battalion, 3rd Marines, Vietnam 1968-69, Founder and President, Vietnam Veterans of America"Through the testimonies Bradley and Werner collect we see, firsthand, how music provides a window into the war and tensions over generation, region, and race. Music becomes much more than an artifact of culture; it is the stuff of memory and part of the complex ways we all make meaning."―Tomás F. Summers Sandoval Jr., author of Latinos at the Golden Gate"Bradley and Werner understand more kinds of music, more songs, and more troops of more kinds than anyone else who's written about the American military experience in Vietnam. Whether you read it because you are interested in the war, the music, the politics, or because you're still trying to figure out what Hell was going on, We Gotta Get Out of This Place will be a revelation."―Dave Marsh, author of The Heart of Rock and Soul"Doug and Craig's program based on their book We Gotta Get Out of Here: The Soundtrack of the Vietnam War is outstanding. They grab your attention from the start and the music transports you. It's amazing to hear the music and the effect it had on the soldiers. You come away with a whole new perspective on the war and the music of the era."―Sonia Outlaw-Clark, West Tennessee Delta Heritage Center"I spoke with Doug Bradley and Craig Werner before a packed house at Mystery to Me about their extraordinary new book, We Gotta Get Out of This Place, which takes an insightful and nuanced look at the music of the Vietnam War. Doug and Craig played the music, and talked about the vets and musicians they had interviewed. I think it's safe to say no one who was there that night will soon forget it."―Doug Moe"Intimate and deeply informative, with a scope that encompasses both the war itself and the way that music has helped raise awareness of veterans' issues long after its end."―Madison Magazine
About the Author Doug Bradley, a Vietnam veteran, teaches a course on the war with Craig Werner, professor of Afro-American studies at the University of Wisconsin–Madison and author of Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul.
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Most helpful customer reviews
5 of 5 people found the following review helpful. what it was like to be thrown into a war in some godforsaken ... By Michael Lowenstein We Gotta Get Outta This Place bears witness. It captures, through music, what it was like to be thrown into a war in some godforsaken place when you were 20 years old and have your life changed forever.It does so in a moving and powerful way, through the words of many of the men and women who experienced it, carefully crafted and shaped into a cohesive whole by the authors, who lend their own voice and, in the case of one of them, Doug Bradley, his own experience. Words that are therapeutic to the reader but also, it is clear, to the writers.Much of that therapy now, as it was then, is found in the music. Music, integral to that time, and still so familiar a half century later. Music that linked the world into which they were cast with the world back home they were missing.We Gotta Get Outta This Place makes it all very real. The opening story gave me chills. Soldiers from all over arguing about which music would be played as their anthem. Dylan. Hendrix. Creedence. Beatles. Franklin. Like them, I didn’t see it coming when it was right in front of me.From there, the meticulous structure traces the intertwined and parallel paths of the times, the music and the progress and perception of the war. The “solos” give voice to a range of veterans and show how very different people can have a shared experience that the rest of us cannot ever fully understand.All of this with the perspective of a lifetime and at a time when they are starting to go. When their story, so central to the country for so long, is beginning to recede into history. A history, in contrast to the generation that came before them, that many people would just as soon forget. This is the kind of book that won’t let that happen.A terrific book. Powerful, moving and easy to read. More than that, an important book. A part of the historical record that needed to be written while there’s still time.
2 of 2 people found the following review helpful. More Than You'll Expect By Rick Smith The truth about music is that if it's good enough...if it's poignant enough...if it's loved enough by the people, it lives on. For a time, at least. And, sometimes, even for a long time. The music that comes from "We Gotta Get Out of This Place" is both old and new. It's old because many of the songs are familiar favorites. But with these new arrangements -- skewed to stories of war in Vietnam -- they will change and enhance your knowledge of this war and of the men and women who served in it. Songs you may have sung are the same songs that spoke to Vietnam veterans. Lyrics you may have interpreted one way may have had different meanings altogether to the warriors and supporters who served America in Vietnam. This book is a comprehensive journey of music as a lifeline, from the beginning to the end of the Vietnam War and beyond. It's an impressive score of its own, with the reality of war always its major chord. Its stories take you inside the Vietnam War in a different way, and you will feel your eyes and heart open wide through songs you know and love. Authors Bradley and Werner include numerous first person solo essays from contributors who served. "We Gotta Get Out of This Place" will touch your spirit, haunt your sole and enlighten your understanding of the Vietnam War and of the men and women who were there. Be prepared for way more than you'll expect.
0 of 0 people found the following review helpful. The Tie That Binds By Patricia Kramer I don't know what the music of the Iraq war was and is, but I hope there is some and lots of it.What an important moving book this is. The authors listened to and gave voice to so many Viet Nam vets and were able to describe what it was really like being in that war. The music supported the soldiers and divided them. It gave them comfort and strength and joy and helped them survive day to day.Doug Bradley, the co-author, is a vet and has a solo piece in the book. The solo pieces of many soldiers provide a long missing place for them to tell the story of their real experience in the hooch and on the battlefield.One solo piece is by Bobby Muller, who founded Vietnam Vets of America. He describes how Bruce Springsteen sought him out in 1980 and through a concert and his music helped pave the way for Viet Nam vets to step up and publicly support each other."Around the stage were guys in wheelchairs, gurneys. Man, getting those guys next to the stage was a big deal. Bruce starts off by telling the audience that 'we're here for the men and the women that fought the Vietnam war.' He talks about how Vietnam turned this whole country into that dark street and unless we're able to walk down those dark alleys and look into the eyes of the men and women that are down there, we're never gonna be able to get home.Then he introduces me! And I remember the point I wanted to drive home. I told the audience that is was ironic that after all the years when the businesses haven't come behind us and the political leaders have failed to rally behind us, that when you remember the divisions within our own generation about the war, that it ultimately turns out to be the very symbol of our generation, rock'n'roll, that brings us together, and it is rock'n'roll that is going to provide the healing process that everybody needs. So let's not talk about it, lets's get down to it, let's rock'n'roll!Later, Bruce called me to come down to the studio where he played this ballad, "Shut Out the Light," very moving. I said, 'Man, that was powerful.' He says, 'I got one more I want you to listen to.' He plays'Born in the U.S.A.' He looks at me and asks, 'Did I get it?' 'Yeah, you got it!'So did the many soldiers who heard the song and gained strength from it. Music is the tie that binds.
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